About the Artist
Amber Eve Anderson is a multidisciplinary artist, writer, and administrator. She is currently a fellow at Hamiltonian Artists in Washington, DC and lives in Baltimore where she serves on the Advisory Board of the Institute of Contemporary Art. She has been an Arts Writer at BmoreArt and founded Ctrl+P, a publishing project dedicated to preserving ephemeral interventions in the digital realm. Amber received an MFA from the Mount Royal School of Art multidisciplinary program at MICA in 2016 and a BFA from the University of Nebraska-Lincoln in 2005. In 2019 she received an Individual Artist Award in Media from the Maryland State Arts Council. Her work has been featured in The Washington Post, BmoreArt Journal of Art & Ideas, Hyperallergic, and The Creator's Project.Artist's Statement
My work pairs lyrical narrative with larger notions of home, memory, and identity. I vacillate between physical and digital worlds, combining images and found objects through installation and video while using artist books to physically archive digital phenomena. I am interested in the way one's surroundings, whether virtual, man-made, or natural, come to shape one's behavior and identity. I draw attention to everyday technologies by upsetting the usual means of interaction and thereby exposing the ways technologies can influence behavior. My work functions as a playful critique to imagine new ways of existing.Featured Work
Photos



Featured Work: Photos
Old Oak
Digital Photographs and Found Objects
2018
Old oak memorializes one of the two 150-year-old trees at the site of my ancestors' homestead. In my return to this land, my matrilineage is subsumed by Mother Nature. The work archives and memorializes what remains of this place—personally significant and universally forgotten—while considering the ways certain histories are privileged over others.
Certain Histories
Digital Photograph
2018
Part of a larger interdisciplinary project that situates my matrilineage alongside larger notions of landscape, home, and gender.
A Demographic Case Study (35-44, Woman, Baltimore)
Laser-printed photographs, Wood, Foamcore
2020
This installation is based on an archive of every ad that I viewed on Instagram over a one-week period. Composed of 126 images that almost exclusively depict household goods, the archive presents a self-portrait through the lens of targeted advertising.
Videos
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Homestead
Homestead is an interdisciplinary project that situates my matrilineage alongside larger notions of landscape, home, and gender. In 1873, ten miles south of my native Nebraska and an hour's drive from the geographic center of the United States, my great-great-great grandparents claimed land under the Homestead and Timber Culture Acts. The landscape is now vast, indistinguishable farmland. History reveals more absences than answers. Two 150-year-old trees at the site and a nearby pioneer cemetery where my maternal grandmother, her mother, and her mother's mother are all buried, are vague markers of this history. In my return to this land, my matrilineage is subsumed by Mother Nature. The work archives and memorializes what remains of this place—personally significant and universally forgotten—while considering the ways certain histories are privileged over others.Medium: Single-Channel VideoYear: 2018Details: 2:38 -
Users Gonna Use
This work questions Google’s data storage methods in the form of a recorded online performance.Medium: Performative Screen RecordingYear: 2020Details: 6:34 -
1320
My older brother and my younger sister recount overlapping memories of our childhood home to me over FaceTime.Medium: Single-Channel VideoYear: 2015Details: 6:16