About the Artist
I first took private art lessons from a local teacher in my late teens. I have taken a variety of classes and attended workshops from many national and international watercolor and fused glass artists. I have attended watercolor workshops from Cheng-khee Chee, Don Andrews, Nicholas Simmons, John Salminen, Fritz Briggs, Tony van Hasselt, Carl Dalio, David Taylor, Debi Watson, Jean Uhl Spicer, Sandra Blair, Steve Fleming, Frank Francese, Judy Morris, John Salminen, Paul Jackson, Linda Baker, and numerous others. My fused glass training starting in the 1990s when warm glass started to grow in the United States. I have taken classes from Linda Ethier, Roger Thomas, Judith Conway, Kevin O'Toole, Nathan Sandberg, and Bonnie Celeste. "I feel a piece is successful when I think the mood I want is achieved and the story shines through in the finished painting. Real success comes, however, when you tell me the story you see in the painting. Often your story is quite different from mine, but it doesn't matter! I feel a tremendous sense of satisfaction for having been able to evoke a memory or an emotion in you. What more could I ask for as an artist?"APRIL RIMPO website View Website APRIL RIMPO website View Gallery APRIL RIMPO website Purchase Art
Artist's Statement
April has been involved in art her whole life. She has worked in pencil, oil, stained glass, fused glass and watercolor. In her paintings her goal is to portray the emotions she perceives in the world. Her subject matter is diverse including portraits, landscapes, city scapes, and still life. She does portraits on commission. She loves color and uses lots of it in most of her work. Her glass art takes a more abstract approach in which she strives to attract her audience’s attention with both color and form while bringing in familiar shapes from the world of nature to arouse the curiosity of her viewers. April's fused glass projects are varied in technique, style and purpose. Some of her work is representational, while others explore textures, or strive to evoke an emotion through color and form.Featured Work
Photos
Featured Work: Photos
Serenity Found
Watercolor
2019
In Serenity Found my goal was to create a painting that could provide a great place to relax at the end of the day. Taking inspiration from a photograph I took mid-morning and shifting it to sunset allowed me to contrast the distant mountains with the near desert plain using complementary colors and cool versus warm colors. I decided to make it an early sunset so the horses wouldn't be entirely backlit, allowing me to show some of their details.
Free Living
Fluid Acrylic
2017
Capturing the energy and excitement of a parade in the French Quarter of New Orleans.
Freight Yard
fluid acrylic on gallery wrapped paper
2014
I am not sure what draws me to industrial scenes, but it is probably the colors and the structure of the equipment. I didn't want the blue crane to blend in with the sky so I decided to use a golden, gray colored sky. Used a red based analog color scheme throughout and then used very dark tones to accentuate the structure of the equipment and the train rail. Contrasting the geometric shapes of the freight yard with the wet runs at the bottom of the painting provided an interesting balance between industrial and organic.
City Reflections
watercolor on paper
2012
The Vendor
watercolor and acrylic on paper
2012
Poinsetta Tree
watercolor and acrylic on paper
2010