About the Artist
Jennifer S. Jones is a writer and actor with a diverse background in education, community development, and intercultural training. She holds a BA (Theater) from Connecticut College and an MFA (Playwriting) from the Department of Dramatic Writing at NYU’s Tisch School of the Arts, where she received the Chair Graduate Award for Distinguished Achievement. Her plays include Sunday’s Child, winner of Panndora’s Box Festival, 2009, Reston Players Festival, 2010;The Well, a finalist for the Barter Theatre’s Appalachian Festival in 2007; Yellow Rose; Ship of Lights, finalist for the Goldberg Award for Excellence in Playwriting in 2004; West of Wyoming; HIM / HER ; and her one-woman show Appearance of Life, seen off-Broadway, NYC ; the Capital Fringe (Editor's Pick) and the New York International Fringe Festivals ; and at the Women Playwrights International Festival in Mumbai. Appearance of Life received the Kennedy Center’s KCACTF Regional Award for Best One Act as well as the Alberto Vilar Fellowship nomination. Jennifer has been commissioned by Hildebrandt International, resulting in the play Inside-Out; Thomson Reuters & Hildebrandt International, for the screenplay Reputation at Risk; Beazley Insurance of London, for the screenplay A&E Risk Management; and the Stanford Symphony, culminating in Transfigured Night.Artist's Statement
Jennifer has traveled the world recording women’s stories and crafting their voices into theatrical shows for the Letters to Clio series. She has shared these shows off-Broadway, in universities, at spiritual retreats, for local high-schools, and for Fortune 500 companies. The award-winning, critically acclaimed Appearance of Life is the most recognized show in the Letters to Clio series, and is still on tour today. Building on the foundation of the Letters to Clio model, Jennifer expanded her work and developed an in-depth curriculum called the Collective Story Method™. The Collective Story Method™ (CSM) is built upon her now decades of work in empowering individuals to tell their stories. CSM is designed to focus first on the personal, then the individual in relation to the collective, and finally on the collective as a whole. She has used this method with students to help build understanding and compassion in their immediate communities. And she has used this grassroots approach to help companies, organizations, and communities form and live their mission statements through the power of putting story into action.Featured Work
Photos

Featured Work: Photos
Appearance of Life
One Woman Show
2013
Appearance of Life is a riveting thriller set in Buenos Aires in 1976. The story follows an Argentine woman who becomes radicalized when her daughter is “disappeared” by the military dictatorship. Based on dozens of interviews conducted by the author, during this internationally renowned, critically acclaimed show, Ms. Jones adorns different historical and fictional characters to show students the true power of community and grassroots movements in the face of terrible adversity. The show is often paired with workshops on Transformational Leadership and the Power of Sharing the Personal Story. Ms. Jones works directly with teachers to supplement/compliment current curriculum.
Jennifer S. Jones is a writer and actor with a diverse background in education, community development, and intercultural training. She holds a BA (Theater) from Connecticut College and an MFA (Playwriting) from the Department of Dramatic Writing at NYU’s Tisch School of the Arts, where she received a full scholarship and the Chair Graduate Award for Distinguished Achievement. Her plays include Sunday’s Child, winner of Pandora’s Box Festival, 2009, Reston Players Festival, 2010; The Well, a finalist for the Barter Theatre’s Appalachian Festival in 2007; Yellow Rose; Ship of Lights, finalist for the Goldberg Award for Excellence in Playwriting in 2004; West of Wyoming; and her one-woman show Letters to Clio, most recently seen at the All for One Festival, NYC 2012 ; the Capital Fringe (Editor’s Pick) and the New York International Fringe Festivals, 2010 ; and at the Women Playwrights International Festival in Mumbai, India, 2009. Letters to Clio also received the Kennedy Center’s KCACTF Regional Award for Best One Act as well as the Alberto Vilar Fellowship nomination. Jennifer has been commissioned by Hildebrandt International, resulting in the play Inside-Out; Hildebrandt International & Thomson Reuters, resulting in the screenplay Reputation at Risk; Beazley, resulting in the screenplay A&E Risk Management; and the Stanford Symphony, resulting in Transfigured Night.
Videos
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The Boy Who Cried Wolf
DESCRIPTION OF RESIDENCY:
Students will create a 3-5 minute Digital Story based on one of Aesop’s Fables. Students will engage in the four elements of Digital Storytelling – Language, Image, Voice, and Sound – by writing, photographing, recording, and editing their own Digital Stories. Students will reflect on peers’ Digital Stories using theater/art vocabulary.
Medium: Digital StorytellingYear: 2016Details: 4 Minutes -
Appearance of Life
A riveting thriller about one woman’s search for the truth, Appearance of Life is the story of an Argentine woman, Margarita, whose daughter becomes one of the many desaparecidos (disappeared) of the Dirty War. Adorning different characters, Ms. Jones presents a captivating picture of one woman’s transformation as she moves from her role as wife and mother to that of political advocate. Based on the author’s years of research and dozens of in-depth, in-person interviews, Appearance of Life is a story of brutality and loss – but also a story of survival, new life and triumph.
More Information on Bookings available at: http://www.letterstoclio.com/performance/Medium: One Woman ShowYear: 2013Details: 1 Hour -
Tomorrow's Family Tree - A Digital Story
I love sharing words both on stage and at more intimate gatherings but sometimes our lives are too busy to carve out an evening at the theater or local cafe. What if there was a way I could share a quick tale with people on their lunch break? A small morsel of creative fun to break up the day. Enter Digital Storytelling!
Digital Storytelling is defined as:
The modern expression of the ancient art of storytelling. Throughout history, storytelling has been used to share knowledge, wisdom, and values. Stories have taken many different forms. Stories have been adapted to each successive medium that has emerged, from the circle of the campfire to the silver screen, and now the computer screen. (Digital Storytelling Association, 2011, para. 1)
Information on Workshops available at: http://www.letterstoclio.com/digital-storytelling/Medium: Digital StoryYear: 2014Details: 3 Minutes, 46 Seconds -
Volcanic Ash and Bicycles - A Digital Story
This is a sample of a Digital Story from my Digital Storytelling Workshop. In my workshop students will:
Enhance writing and communication skills by telling a personal story using the digital format. This active learning workshop culminates in each student writing and producing his or her own three-five minute Digital Story. Students will:
• Discover that storytelling is an ancient art form which has evolved over time
• Determine effective storytelling techniques and structures
• Learn how to create stories from imagination, heritage, and personal experience
• Write, critique, and refine scripts
• Demonstrate the use of visual images to convey an idea or feeling
• Hone research methods through the use of various technologies
• Gather and organize information to effectively convey a message
• Learn effective presenter skills
• Demonstrate skills in the operation of media equipment
Age: This workshop is appropriate for 4th – 12th grade students
More information at: www.LetterstoClio.com/digital-storytelling/Medium: Digital StoryYear: 2014Details: 4 Minutes, 15 Seconds -
Appearance of Life
Appearance of Life is a riveting thriller set in Buenos Aires in 1976. The story follows an Argentine woman who becomes radicalized when her daughter is “disappeared” by the military dictatorship. Based on dozens of interviews conducted by the author, during this internationally renowned, critically acclaimed show, Ms. Jones adorns different historical and fictional characters to show students the true power of community and grassroots movements in the face of terrible adversity. The show is often paired with workshops on Transformational Leadership and the Power of Sharing the Personal Story.
Jennifer S. Jones is a writer and actor with a diverse background in education, community development, and intercultural training. She holds a BA (Theater) from Connecticut College and an MFA (Playwriting) from the Department of Dramatic Writing at NYU’s Tisch School of the Arts, where she received a full scholarship and the Chair Graduate Award for Distinguished Achievement. Her plays include Sunday’s Child, winner of Pandora’s Box Festival, 2009, Reston Players Festival, 2010; The Well, a finalist for the Barter Theatre’s Appalachian Festival in 2007; Yellow Rose; Ship of Lights, finalist for the Goldberg Award for Excellence in Playwriting in 2004; West of Wyoming; and her one-woman show Letters to Clio, most recently seen at the All for One Festival, NYC 2012 ; the Capital Fringe (Editor’s Pick) and the New York International Fringe Festivals, 2010 ; and at the Women Playwrights International Festival in Mumbai, India, 2009. Letters to Clio also received the Kennedy Center’s KCACTF Regional Award for Best One Act as well as the Alberto Vilar Fellowship nomination. Jennifer has been commissioned by Hildebrandt International, resulting in the play Inside-Out; Hildebrandt International & Thomson Reuters, resulting in the screenplay Reputation at Risk; Beazley, resulting in the screenplay A&E Risk Management; and the Stanford Symphony, resulting in Transfigured Night.Medium: One Woman ShowYear: 2013Details: 1 hour