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Michael Sweet

Painting, Visual / Media

Michael Sweet has been a pointillist painter for over 35 years. His art was inspired by a vision of a vortex, a swirl of glimmering particles, paradigmatic of the universes. Pointillism is the only technique that exemplifies his vision, both perceptibly and metaphysically. He composes his works in various genres, from landscapes to abstracts, blends of the two, or poetic notions. Every piece tells its own story. His creativity and vision are unmatched by anyone else in today's art world.

About the Artist

Michael Sweet is a Harford County, Maryland fine artist residing in Havre de Grace. He is a self- taught, outsider artist, painting exclusively in pointillism, which began as doodles in the margins of college notebooks. He began painting 35 years ago after earning his Master’s Degree in Computer Science, focusing his compositions on vortices and spheres. In 1992, after painting for several years, he enjoyed a two year stint living in Africa. The Swahili culture and savannah landscapes sent his work in new directions. After his return he moved to New England. He had his first show at Gertrude & Alice’s, the cynosure of an artists’ community in Collinsville, Connecticut. From there he began showing at regional galleries. Now living at the top of the Chesapeake Bay, his paintings have moved on to loose blending of landscape and abstract. His growth continues.

Michael Sweet website Michael Sweet Art

Featured Work

Photos

This painting is an interpretation of “A Park at Night” by Józef Ripple-Rónai. Innocence refers to the historical moment when he painted it, the very end of the 19th century. In our time, change is swift, and so much of the past is forgotten.
reflecting the state of Mary Magdalene the day after the Crucifixion
a crow standing on a lane the receded up the center of a long horizontal painting, red maples lining either side of the lane
an elderly woman, walking through water lapping around her ankles, towards a brilliant horizon
a hazy landscape of Concord Point at the northern end of the Chesapeake
heads facing away from the viewer, as if walking into a dense fog