Over the last decade, Super City has steadily discovered its metier in sticky pop hooks,
mercurial arrangements, gleaming production, and live shows that are equal parts calculated
performance art and ecstatic dance party.
While every Super City song contains multitudes, the pop instincts that they’ve honed over the last
decade are front and center. There are bright wisps of Stevie Wonder, Talking Heads, Prince, the 1975, and St. Vincent in their best pop songs, but Super City so completely chops and screws its influences that their music always feels crisp and forward-thinking.
High-Official Video
Official Video for the single "High" by Super City.
42 Years-Official Video
Official video for single "42 Years" by Super City.
Year: 2022
Greek-Official Video
Official music video for the single "Greek" by Super City.
Year: 2022
Sanctuary-Official Video
Official music video for Sanctuary, the title track from Super City's 2018 full length album.
Year: 2018
See more information about Fences, Frames and Alleys
Fences, Frames and Alleys is music arising from reflecting on growing up in a factory district
of South East Baltimore. The music is inspiring, often meditative;
yet at times jarring and always touches one’s heart. Music that is
just like life.I am forever grateful that music has continued to take me into her
confidence.
On the anniversary of the passing of my Father, a
steelworker for Bethlehem Steel, inspiration for the opening track
Taking Flight arrived. Remembering those nights sitting by the
pond on the big hill at City Hospital where I could see the ships on
the bay and out across the city lights, the inspiration for High
Land View flew in. I’ll never forget the day I visited my old “hood”
and what had been Anchor Fence Factory on Kane Street. The
smokestack rising from the brick and concrete mountain of rubble
is seared into my being. I was born here and raised across the
street from this huge factory. Out my front door I would hear metal
on metal. Sparks flew out of the windows on summer nights.
Anchor Fence Is Gone echo those past times.
of South East Baltimore. The music is inspiring, often meditative;
yet at times jarring and always touches one’s heart. Music that is
just like life.I am forever grateful that music has continued to take me into her
confidence.
On the anniversary of the passing of my Father, a
steelworker for Bethlehem Steel, inspiration for the opening track
Taking Flight arrived. Remembering those nights sitting by the
pond on the big hill at City Hospital where I could see the ships on
the bay and out across the city lights, the inspiration for High
Land View flew in. I’ll never forget the day I visited my old “hood”
and what had been Anchor Fence Factory on Kane Street. The
smokestack rising from the brick and concrete mountain of rubble
is seared into my being. I was born here and raised across the
street from this huge factory. Out my front door I would hear metal
on metal. Sparks flew out of the windows on summer nights.
Anchor Fence Is Gone echo those past times.
Medium: Compact Disc
Year: 2022
I have written, performed & recorded music with Odd CamP, Solaris Guitar Trio, FingerPaint and as a soloist. My works for dance have been performed in New York, Richmond, Philadelphia and the John F. Kennedy Center for Performing Arts in Washington, DC. I recently released my third solo guitar release Fences, Frames and Alleys. All three solo guitar releases may be found at https://patricksmithguitar.bandcamp.com
Amrita “Ami” Kaur Dang is a South Asian-American vocalist, sitarist, composer, and producer from Baltimore. Her sound blends elements of North Indian classical, noise/ambient electronics, beat-driven psych, and experimental dance pop. The work references her hybrid identity as a first-generation South Asian-American, Sikh upbringing, musical education, as well as the chaos and spirituality of the landscapes of both Baltimore and urban India.
departure (excerpt)
departure | 2020 | 16mm dual projection performance | handmade cyanotype 16mm film
"departure" incorporates the alternative 19th C. cyanotype process with my passion for 16mm film and darkroom experimentation. The images captured are of my mother and sister, with audio recordings of conversations with my late grandmother, Margaret. This piece is a continuation of the portraits of the beautiful women in my family.
16mm cyanotype film loops are projected in a dual projection system, incorporating contact mic, synthesizer, and voice recordings.
"departure" incorporates the alternative 19th C. cyanotype process with my passion for 16mm film and darkroom experimentation. The images captured are of my mother and sister, with audio recordings of conversations with my late grandmother, Margaret. This piece is a continuation of the portraits of the beautiful women in my family.
16mm cyanotype film loops are projected in a dual projection system, incorporating contact mic, synthesizer, and voice recordings.
Medium: 16mm, cyanotype
Year: 2020
An accomplished and cleverly endowed Jazz singer, songwriter, recording artist, and ukulele player who has resided in Lanham Maryland for more than three years. During this time (2019-Present), Regina has performed in Washington DC, Annapolis, Baltimore, Silver Spring and Alexandria, VA. Prior to her tenure in the DC, Maryland and Virginia Area, she spent five years in Los Angeles, California, where she played an integral part in the jazz community at the World Stage Performance Gallery (TWS) established by the late Billy Higgins (most recorded drummer in Jazz history).