“Corn Walk” is a video corner installation in which mirror videos and audio create an immersive environment that expands viewer space via flatscreens or wall projections. Mirror videos produce everchanging patterns, open up space for the viewer, add 270 degrees to the 90 degree corner installation. In “Corn Walk” the camera seems to press forward, evoking the physical and visual sensations of passing between dense walls of corn, intensified by the the crack and crunch (sounds) of leaves.

Time and space seem to expand for viewers of “Waterlilies, Madawaska River”, a video corner installation in which mirror videos -and audio- create an immersive environment via flatscreens or wall projections. Mirror videos produce everchanging patterns, while the corner installation opens up viewer space, adding 270 degrees to the 90 degree corner. “Waterlilies, Madawaska River” evokes the physical, visual and aural sensations of advancing towards waterlilies in the bow of a canoe in late summer. Lily pads floating in the distance eventually fill the screen, before giving way to underwater views of curving pink stems. ‘Reality’ is dislodged by inverted trees, mirrored reflections of the shoreline, the river current, the (audio) slosh of water and slap of the paddle.
Ann Stoddard recorded videos for the “Waterlilies -” from the bow of a canoe on the Madawaska River, Algonquin Park, Ontario. Stoddard is the videographer, director, and editor, assisted by her husband John Straub who paddled stern. [Together Stoddard and Straub have paddled rivers and lakes in Wisconsin, the Chesapeake Bay watershed, and Algonquin Park, ON.] Stoddard has been canoeing the Madawaska since early childhood.

Time and space seem to expand for viewers of “Patuxent River, Chesapeake Bay.” In this 2-Channel video corner-installation, videos and audio create an immersive environment via flatscreens or wall projections. Mirror videos produce everchanging patterns, while the corner installation opens up viewer space, adds 270 degrees to the 90 degree corner. “Patuxent River, Chesapeake Bay Watershed” evokes the physical, visual and aural sensations of canoeing the Patuxent in mid-summer. On mirrored screens the camera drifts towards a shoreline green with arrowhead and arum plants that pierce surface reflections of sky and clouds. ‘Reality’ is shaped by insects, birds, the river current, the (audio) slosh of water and slap of the paddle. When completed in 2023, the “Water, Land, Sky- Chesapeake Bay” series of video installations will include videos recorded on rivers in the Bay watershed in Maryland, as well as on rivers in the District, Delaware, Pennsylvania, New York, West Virginia, and Virginia.
Ann Stoddard recorded videos for the “Patuxent River, Chesapeake Bay Watershed” from the bow of a canoe. Stoddard is the videographer, director, editor, and bow paddler, assisted by her husband John Straub who paddled stern. Together Stoddard and Straub have paddled rivers and lakes in Wisconsin, the Chesapeake Bay watershed, and Algonquin Park, ON.] Stoddard learned to canoe in early childhood.

Recorder gestures toward the ephemerality of information by recording audio into sand.

Wander/Wonder consists of two separate but connected experiences: Wander, a walkable virtual street map of Baltimore City with all buildings removed except for psychic reader storefronts, and Wonder, a zero-gravity digital astral plane experienced as a virtual reality (VR) environment.

As an interactant flies through the Wonder side via VR headset, the Wander side is projected on screen for spectators to view. The interactant uses a crystal ball to navigate both environments simultaneously - guiding the experiences of spectators in Wander while fully immersed in the VR environment of Wonder.

Outgrown is a fantasy and a eulogy for weeds. Using augmented reality, this piece resurrects the weeds that once grew in a space and envisions a parallel world in which they now thrive. An interactant looks through one of the provided tablets at each glowing panel and sees the spirits of plants rise up to claim back a space of their own. They are meant to bring a strange kind of beauty, but also a glimpse of post-apocalyptic biodiversity, of a natural world that's had enough and won't sit still for us much longer.