I film, paint and sculpt and my creative process transforms what I see, think and feel into abstract compositions of atmospheric layers of colors and shapes. Working in acrylic, oil pastels and modeling paste, I visually narrate memorable moments inspired from scenery of my films and my life.
In Vine We Trust
The warming climate can be tasted in a glass of wine. A community of dedicated winegrowers in Maryland, Virginia and New York is implementing farming practices to not only adapt to the real-time impacts of climate change, but to combat it. This is the fundraising video for the documentary film.
Year: 2022
Hello! My name is Bl4xk Rose and I'm a multidisciplinary artist living in Prince George's County, Maryland, and CEO of Chaos Theory LLC. My main modes of creativity are literary with song-writing, script-writing, and short stories as well as poetry. I also like to tell stories visually by way of drawing, painting, clothing design, and even branching my way out into set design and cinematography. I love art direction and getting to see my vision come to life but my heart truly lends itself to singing. It allows me to translate the soundtrack that is constantly playing in my head.
Melissa Daoulas is a seasoned writer, producer, and educator with a decade of experience in streaming platforms and television networks. She started her career working for National Geographic while at the University of Maryland, where she was responsible for technical video evaluations for US, International and Nat Geo WILD programming. She credits her time there as being pivotal for her love of media arts.
Material Actions
Material Actions is a performance created with video artist Mark Brown. The piece was originally developed for the Dutch Cabinet at the Walters Art Museum in Baltimore, Maryland and premiered as part of their 2016 ART/SOUND/NOW series.
In this performance Fucile used a series of contact microphones to "play" common, modern materials such as bricks, coins, and a fan. Brown projects a sound-reactive video behind me. The work work considers the economics of the Dutch Golden Age and the modern museum.
In this performance Fucile used a series of contact microphones to "play" common, modern materials such as bricks, coins, and a fan. Brown projects a sound-reactive video behind me. The work work considers the economics of the Dutch Golden Age and the modern museum.
Medium: performance
Year: 2016
Details: 30:00
Dada Morte
Dada Morte uses musical interpretations of an IBM computer punch card found among Fucile’s late father’s possessions. It also features melodica, voice, and electronics. This performance was part of the exhibition Memento Mori at The Parlor in Baltimore, MD and included live video projections by artist Brenton Lim.
Medium: performance
Year: 2022
Details: 16:52
X_X_I
X_X_I is an audiovisual manifestation of Carrie Fucile and Brenton Lim's intersecting ideas about technological upheavals from the twentieth century to the present. Fucile’s audio component consists of live vocals, melodica, MIDI keyboard, field recordings of hidden home and business technologies, and digitally generated sound. Lim’s live video is derived from his original block coding designed for the piece. This performance documented here was presented at The Center For The Arts, Towson University, Towson, MD.
Medium: performance
Year: 2023
Details: 16:06
Over the course of her quarter century plus career in the music industry, Tinku Bhattacharyya has engaged in a multitude of unique, groundbreaking roles driven by her enduring passion and creative approaches to artist development and fierce advocacy for artist rights administration and protection. Since launching her career as a club promoter and DJ with Thelonious Junk (Big Beat) and Café Graffiti in Edinburgh in 1995, the UK bred, New York and Baltimore-based visionary has defined what it means to be an innovative Renaissance Woman in the fast-moving, ever-evolving music industry.