Becky Hill, percussive dancer, and banjo player brings together a collective of performers who focus on the intersections of jazz and old-time, tap dance and flatfooting, highlighting the richness of vernacular music and dance practices in the United States. Artists who regularly perform with Hill are Jesse Milnes vocalist and multi-instrumentalist; Ben Nelson multi-instrumentalist; and Roxy King, tap dancer. Between the four of them, they have performed at The Newport Folk Festival, Wheatland Music Festival, Mountain Stage Radio Show, Jacob’s Pillow, the Joyce, Kennedy Center, and numerous other venues; and have taught at music and dance camps and festivals throughout the U.S. and abroad. These artists are steeped in Appalachian old-time, Americana, swing, and piedmont blues as well as flatfooting, and tap dance. The conversation between music and dance is apparent within all of these traditions, and the joy they share performing with each other is contagious to all who watch. Their talents range from traditional repertoire to original songs and choreography. Everyone involved has spent extensive time studying with the tradition bearers of their art forms while creating original work tethered to the communities they came from. Hill, Milnes, Nelson, and King blur the line between movement and music by stretching, and pulling shape into sound. Bodies become instruments, intricate choreographies yield sound, and vibrant relationships are palpable as they celebrate the vibrancy of American social music and dance traditions.
About the Artist
Becky Hill is a sought-after percussive dancer, Appalachian square dance caller, choreographer, and educator. Becky has worked with Footworks Percussive Dance Ensemble, Rhythm in Shoes, Good Foot Dance Company, and studied with an array of percussive dance luminaries. Her choreography has been featured at Wheatland Music Festival, Jacob’s Pillow, and the Kennedy Center among others. She performs regularly with Big Family Business, Jesse Milnes, Roxy King, and Ben Nelson. She was a 2018 OneBeat Fellow and a 2024 Balkans OneBeat Fellow, and has been an Artist-in-Residence at Strathmore, John C.Campbell Folk School, Loghaven, and Hambidge Center for the Arts and Sciences. She earned her MFA in Dance at University of Maryland College Park in 2022. As an avid organizer and teacher, Becky’s work is deeply rooted in the connections between music and community. She believes there is always more to learn and is dedicated to creative innovative choreography tethered to traditional music and dance. Learn more at www.rebeccahill.org.Artist's Statement
The size of collective can vary from a duet with one musician and one percussive dancer, to a larger ensemble that could feature up to six artists: three musicians and three percussive dancers. The core of the collective are Jesse Milnes, Becky Hill, Roxy King, and Ben Nelson. Nelson and Milnes are second generation old-time musicians from Appalachia, where they grew up attending old-time music festivals with their families and started playing music at a young age. Jesse Milnes is the son of renowned West Virginia folklorist, Gerry Milnes, therefore he spent his summers attending workshops at Augusta Heritage Center and studying with John Cephas, Melvin Wine, Ernie Carpenter, and numerous others. Ben Nelson is an in-demand educator who has taught at Augusta Heritage Center, Swannanoa Gathering, and numerous others traditional folk and music camps. Becky Hill grew up working with Footworks Percussive Dance Ensemble, Rhythm in Shoes, and Good Foot Dance Company; received her MFA in Dance from University of Maryland in 2022; was OneBeat Fellow in 2018, a OneBeat Balkans Fellow in 2024, a cultural diplomacy program funded by the U.S. State Department, and teaches dance throughout the country. Roxy King, is a renowned tap dancer who performs with Music from the Sole, Michela Lerman, and Michelle Dorrance, and teaches tap in the Washington D.C. area. This ensemble has toured nationally and internationally in many different projects and are eager to tour in this configuration. Performing our repertoire presents the ways in which tap and flatfooting, jazz and old-time, share the same musical origins. As music journalist, Justin Hiltner states, "American music and dance have always gone hand-in-hand. Immigrant bringing their folk traditions, art, and music to North America, combined and cross pollinated with, stole and borrowed art and music from Native American, enslaved Africans, and African Americans. In that beautiful, conflicted, human melting pot way we arrived at the incredible roots genres of our modern times." This project presents the "conflicted human melting pot" from a place of radical joy, celebrating the ways in which vernacular music and dance traditions are interconnected. In an era where Beyoncé is releasing a country album, we need to celebrate the interracial music and dance repertoire that was born in the United States, and this collective does just that.Featured Work
Photos
Featured Work: Photos
Lost Patterns
Videos
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Strathmore Artist in Residence
Strathmore Artist in Residence Performance with the T-Mart Rounders: Jesse Milnes, Kevin Chesser, and Becky Hill.Year: 2021 -
Last Chance
Playing some Hobart Smith's Last Chance on fretless with Becky Hill on feet at the Hamlin Street Diner House Concert in Washington DC - Friday April 22, 2022Year: 2022 -
Brownsville
Excerpt from an Augusta Heritage Center Concert with Jesse Milnes, and Emily Miller.Year: 2016
Music/Audio
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See more information about T-Mart Rounders
The T-Mart Rounders, Jesse Milnes, Kevin Chesser and Becky Hill were brought together by their mutual love for the old-time music and dance traditions of West Virginia and the greater Appalachian region. The three started playing together in 2012 in Elkins, WV, at social gatherings and square dances, and their friendship has evolved into the T-Mart Rounders. The trio consists of clawhammer banjo, fiddle, guitar, voice, and foot percussion, re-envisioning Appalachian clogging and flatfooting as its own instrument within the band. Their arrangements of traditional old-time tunes use percussive dance as the primary rhythmic accompaniment, akin to a drum-set. All three collaborators have spent significant time in West Virginia learning from and interviewing master elder musicians and dancers. The goal of the project is to celebrate the traditions of Appalachian music and dance, while simultaneously pushing the boundaries of those traditions. The T-Mart Rounders released a full length album in 2017, and promoted it with a summer tour around the region. Performance highlights have included Wheatland Music Festival, FestiVall, Mountain Stage Radio Show, Hiawatha Music Festival, Nelsonville Music Festival, Rocky Mountain Old-Time Festival, Floyd Country Store among others. The record is available now! Read NPR Music's Review of the T-Mart Rounders.Year: 2018Details: 21 mins 27 sec
Booking
Booking Price: $2,001-$5,000
Booking price is dependent on which project you'd like to present, the size of the project can vary from a duet with one musician and one dancer, to two musicians and two dancers, to a larger ensemble that would feature up to six performers.
Bookings are made through Becky Hill
(616) 446-5074
hillreb1@gmail.com
The size of this project can vary from a duet with one musician and one percussive dancer which would require a 3x3 dance board (provided by artist) or wood floor; to two musicians and two dancers which would need a 6x6 dance board (provided by artist) or wood floor; to a larger ensemble that would feature up to six artists would need 9x9 dance board or a wood floor. We would need no specific lighting, front of house support or backstage support. Amplification is needed to support the instrumentation and a combination of 57 or 58 microphones are preferred along with a PCC floor microphone (provided by artist).
We are available to travel throughout the state of Maryland as long as travel expenses are covered in the cost of the project, as well as per diems.
Betty Scott - Director of Strathmore Artists in Residence: BScott@strathmore.org; (301) 581-5144
Cathy Fink - Grammy Award Winning Performer & Educator: cfink@mindspring.com; (240) 401-0324
Emily Miller - Artistic Director of Augusta Heritage Center: emily@augustaartsandculture.org; (917) 882-9106