Stephen Cyphers
STEVE CYPHERS Steve has been a professional drummer, percussionist and singer since 1988. He is a founding member, singer and percussionist with the band Blue Miracle. Blue Miracle is a genre-bending Jam Band with two original albums. They have played at clubs, festivals, colleges and private events throughout the country for over three decades and still perform today. Steve also collaborates with many different bands and musicians across the region.
See more information about Petula
From 2020 Molesuit Choir release, Doomsday Lamp.
Molesuit Choir is Liz Downing, Rupert Wondolowski and guest star Greg Hatem.
Medium: MP3
Year: 2020
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from Underworld Orchard's 2020 album
Underworld Orchard is Liz Downing, Hanna Olivegren and Steve Strohmeieir
Medium: MP3
Year: 2020

deathIncrease

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An instrument/installation that plays a number of fragments of prayer requests about COVID-19 that people have uploaded to YouTube. The number of fragments is the number of people who died the previous day in America (in the database I am using this is called the ‘deathIncrease’).
Year: 2020

jumpSynth

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A trampoline-based portable synthesizer for making noise in the woods alone. Built as part of my research for my position as Game Designer in Residence at MICA Game Lab.
Year: 2020

Currents

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Currents is an installation and performance built from hundreds of discarded computer fans. They are programmed to recreate the wind levels of other locations from around the world. It is a meditation on the role that technology has on our lives; how it is used to connect the world, how much importance we place on these connections yet how easily we discard the very objects that connect us.
2014, Edinburgh Art Festival, Southbank Centre London, and Glasgow Concert Halls
Currents was awarded the British Composer Award for Sonic Art in 2014.
Year: 2014

The Book of Knowledge of Impractical Musical Devices

See more information about The Book of Knowledge of Impractical Musical Devices
Loosely based on the 12th century Book of Knowledge of Ingenious Mechanical Devices by the Islamic engineer Al-Jazari, this project was focused on the design and development of three experimental sonic objects and musical instruments that each took a conceptual limitation to a logical conclusion, thereby raising questions about the place of digital media, sound, and technology in our lives.
Volume 1 is a rhythm generator which changes patterns every day. It uses a sound library that was itself recorded in a single day. The previous day’s patterns will never be recreated.
Volume 2 is a GPS-based granular synthesizer. It will sound different depending on where it is in the world, as most of the parameters are set by the GPS data.
Volume 3 is a listening device which slowly, but permanently, destroys the sound that it contains. The only copy of the recording is in this device, so each time it is played it is simultaneously lost forever.
The project is fully open source, conceptually and technically. Each volume is accompanied by an essay detailing the idea behind the design, as well as a full set of technical resources for building your own.
Medium: Sound Art
Year: 2019
Yann Seznec
Yann Seznec is an artist whose work focuses on sound, music, physical interaction, games, and building new instruments. Recent projects include residencies at the Smithsonian Air and Space Museum, the Floating Cinema in London, Playable City Lagos, and Timespan in the Scottish Highlands. He has performed at The Roundhouse London, Mutek Montreal, Melbourne Recital Hall, Liquid Rooms Tokyo, Köln Philharmonie, Fak’ugesi Johannesburg, and more.
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