I have had an interdisciplinary studio practice for 35+ years with works that include assemblage - furniture or household items - public art & installations - painting & graphic design comingled with digital-photo techniques.
Concurrently I have worked as a production artisan or used applied visual presentation techniques to support my other vocational track.
My work is a mix of painting, drawing, writing, and photography that is meant to blur the line between digital and traditional collage. The method is ever changing, but the result is forever grounded in life, love, travel, and faith.
not a town but a landing page
The New Castle and Frenchtown Railroad (NCFRR) was one of the first railroads in the United States. The railroad only operated for 28 years; as newer, more direct railways were built, the New Castle and Frenchtown Railroad was abandoned, and then without a commercial artery, the town of Frenchtown was also deserted. This obsolescence of the railroad and town is analogous to digital technological loss in its root in the movement of capital and technological change. In this project, I use the archive in conjunction with contemporary data to try and recreate a ghost without its community. In the process of this re-creation, I use techniques of glitch, loss, and layering to question the role of data, archives, and recreation in understanding place, loss and memory.
Medium: Projected video, mesh fabric, ethernet cords, yarn, wire, plexiglass, outlet plates, two-channel sound.
Year: 2025
Details: 132” x 119” x 203”.
datastream (Minebank Run)
In this ongoing project, I am interested in creating a portrait of a site (Minebank Run in Parkville, Maryland), and the ways in which we can know a space through data, and the many ways through which data-driven ways of knowing will fail us. There is a contemporary inclination to assume we can truly know things (ourselves, the natural environment, economic trends, image-making techniques) through machine learning or traditional mathematical algorithms. However, these data-driven models don’t accurately model out projections or create understanding, but instead create a compressed average of the data provided.
Medium: Multi channel video, digital sound, mylar, cyanotype, etched plexiglass
Year: 2024
Details: 12’ x 13’ installation
Violeta Barcenas |
Violeta Barcenas is a self-taught Nicaraguan mixed media artist and illustrator whose work is rooted in memory, and cultural identity.
As the founder of Violet Red Studio, Violeta creates bold, maximalist artwork that celebrates joy and connection.
Her work is shaped by the places she’s called home: Nicaragua, Bolivia, Honduras, Panama, Mexico, and now the D.C. metro area. Her work is alive with the rhythm, energy, and emotion of Latin America, drawing from the landscapes, stories, and cultures that have shaped her journey.
SYNC.EXE is a multi-instrumentalist known for creating jazz-infused, groovy, and contemplative music. Born in Elkton, Maryland, he has been surrounded by music throughout his whole life. Proficient as a keyboardist, drummer, and singer, he delves into genres such as contemporary lo-fi, neo-soul, and chillhop. With over 5 years of experience, SYNC.EXE has collaborated with esteemed artists like Farnell Newton, Ian Ewing, Tibeauthetraveler, and more.