Artist who creates in different media’s with a focus on glass and mirrors.
My work is an ongoing exploration of my gay male identity. I am influenced by the impact of the AIDS epidemic during the '80s and '90s, internal and external homophobia, sexual desire, and growing old.
Julia K. Burzon is an artist of traditional and digital media. Early published work includes pen and ink illustration for Iowa State University Extension publications, scientific illustrations in peer-reviewed journals, and and commissioned projects (ex. photography and creation of a wall calendar). Returning to art as a serious pursuit m in 2019, after a long hiatus working in natural resources administration and raising a family, Julia embarked on a quest to master digital painting from 2020–2021 by learning how to use all’s various capabilities via the framework of apple-themed artworks.
Rachel Schmidt is a mixed media artist who uses her art to explore the impacts of climate change.
I am a self taught creator and much of my work is inspired by my experiences as a Registered Nurse in Baltimore. I work with paint, mixed media, and collage.
Mina Cheon (천민정) (b. 1973, Seoul, South Korea) is a global Korean new media artist, scholar, and educator who lives and works between Baltimore, New York, and Seoul and exhibits her political pop art known as “Polipop” internationally. Being a part of the Korean diaspora, Cheon’s art results from a life-time of working with a postcolonial and comparative cultural lens and making contemporary art that is in historic alignment to appropriation art and global activism art, while focusing on North Korean awareness, Korean unification, and global peace projects.
Singular Space at ICA Baltimore (installation view)
Collis and Donadio have created a multi-faceted portrait of Forum Fountain, a Brutalist-inspired public sculpture located behind Paul Laurence Dunbar High School in East Baltimore. The culminating installation expands the life of Forum Fountain and features immersive video projection and sound. Architecture can be an extension of the physical self: Buildings tell us about our bodies, both personal and social, and structure our experiences and behaviors. Singular Space serves as a multi-sensory palimpsest, reminding us that public space is mutable and cannot be erased- even in the face of continual destruction or neglect.
Medium: Digital video projection-mapped onto various sized sculptural forms. 5.1 Surround sound.
Year: 2019
C O N C R E T E / C O M P L E X at Current Space (installation view)
Dismantled in late 2016, McKeldin Fountain was part of Baltimore's urban landscape for over three decades. An unembellished Brutalist structure, it was poetically designed to evoke natural rock formations of the Susquehanna River, fusing natural ecology and modern design into the heart of downtown. A designated free-speech zone, McKeldin was home to Occupy Baltimore in 2011 and Black Lives Matter protests in 2015.
As a collaborative audio-visual project, Collis and Donadio documented the fountain's last days to conjure a meditation on the essence of this urban landmark. Using projection-mapping software, video shot on-site traverses large sculptural forms that reference shapes of the fountain itself, culminating in a sensory memorial experience.
As a collaborative audio-visual project, Collis and Donadio documented the fountain's last days to conjure a meditation on the essence of this urban landmark. Using projection-mapping software, video shot on-site traverses large sculptural forms that reference shapes of the fountain itself, culminating in a sensory memorial experience.
Medium: Digital video projection-mapped onto various sized sculptural forms.
Year: 2017