Tristan’s research-based art often involves digital compositing and appropriation of imagery to examine the veracities of our histories and the ways in which we socially construct knowledge in our image-saturated epoch. His works have been included in recent shows at Phoenix Art Museum, Arles Voies Off, France, Noorderlicht Photography Festival, Netherlands, the National Museum of Singapore, Kumho Museum of Art, Seoul, Jeonbuk Museum of Art, Jeonju, GoEun Museum of Photography, Pusan, Korea, RS Projects in Berlin, Germany and Shanghai World Exposition, China, amongst other.
Julia K. Burzon is an artist of traditional and digital media. Early published work includes pen and ink illustration for Iowa State University Extension publications, scientific illustrations in peer-reviewed journals, and and commissioned projects (ex. photography and creation of a wall calendar). Returning to art as a serious pursuit m in 2019, after a long hiatus working in natural resources administration and raising a family, Julia embarked on a quest to master digital painting from 2020–2021 by learning how to use all’s various capabilities via the framework of apple-themed artworks.
Kwame Shaka Opare is a classically trained West African dancer with an MFA in Dance from the University of Maryland. At 14, he became a principal dancer with Kankouran West African Dance Company (Washington DC). As a young adult, Kwame Shaka moved to New York where he established himself as a dynamic instructor and choreographer. In the late 90s, he began touring with the Broadway show STOMP, in the lead role and as rehearsal director where he remained for 8 years.
Mina Cheon (천민정) (b. 1973, Seoul, South Korea) is a global Korean new media artist, scholar, and educator who lives and works between Baltimore, New York, and Seoul and exhibits her political pop art known as “Polipop” internationally. Being a part of the Korean diaspora, Cheon’s art results from a life-time of working with a postcolonial and comparative cultural lens and making contemporary art that is in historic alignment to appropriation art and global activism art, while focusing on North Korean awareness, Korean unification, and global peace projects.
Rays in Reflection (Article)
See more information about Rays in Reflection (Article)Medium: Writing and Photography
Year: 2018
Details: 6 page spread in the "Crisis" issue of the Art and Culture Journal, Full Bleed. Writing in collaboration with Jennifer Wallace, photographs by Jann Rosen-Queralt
Jewels of the River
See more information about Jewels of the RiverMedium: Paper pamphlet
Year: 2016
Details: four page pamphlet which was a companion to "Science Day"
Baltimore-based artists Shannon Collis and Liz Donadio combine their backgrounds in photography, digital video, and sound installation to create works that explore public spaces, uncovering details of their past, present, and possible futures. Collaborating since 2016, their work has been exhibited locally and regionally in museums and galleries such as Arlington Arts Center, Current Space, the Institute of Contemporary Art Baltimore, InLight Richmond, and the Walters Art Museum. Their print series Concrete/Complex is in the collection of the Albin O.