Helen Glazer's work in photography and photogrammetry-based sculpture is informed by scientific insights into interacting forces affecting ecosystems and shaping landscapes. Experiences as Baltimore Ecosystem Study artist-in-residence and National Science Foundation Antarctic Artists and Writers Program grantee have shaped her thinking. Her project Walking in Antarctica premiered as a solo show at Goucher College, Baltimore, funded with a Rubys Award from the Greater Baltimore Cultural Alliance and an artist's grant from the Puffin Foundation in 2017.
3Baltimore County Commission on Arts and Sciences https://www.baltimorecountymd.gov/Agencies/commartssciences/artsgrants@baltimorecountymd.gov(410) 887-4808
400 Washington Avenue, Room 100
Towson, MD 21204
United States
SallyAnn Mickel has developed her artwork in the rural areas of Maryland. Initially working in pastels only, Mickel expanded her use of mediums to oils and pastel/paper collage and textile designs. Producing animal portraits, landscapes and florals in a representational, impressionistic style, her artwork expresses her emotional response to the natural world and her love of animals. ---------------------- __”Art Show At The Dog Show”, Wichita, Kansas; March/April 2005. 1st place, Best Depiction of a Doberman Pinscher. __“Shades of Pastel” Biennial Mid-Atlantic Juried Show; July 2002.
John Ruppert, Sculptor - Professor and former Chair of the Department of Art at the University of Maryland, College Park, was born in Winchester, Massachusetts, in 1951. He received his BA in Art and Art Education from Miami University, Oxford, Ohio, in 1974, and his Master of Fine Arts from the School for American Craftsman, Rochester Institute of Technology, New York, in 1977. From 1962-64 he lived in Amman, Jordan. Became active in archaeology and traveled throughout the area (Turkey, Syria, Lebanon, Israel, Egypt, and Cyprus), visited sites, and participated in several digs.
Julia Sutliff makes oil paintings of nature near her home north of Baltimore, Maryland. She prefers to paint outside where she finds a better state of mind, a greater sense of freedom, and a bigger appetite for risk.
Marion Johnson has painted for many years and has painted professionally since 1980. She graduated from Towson University in 2006 with a Bachelor of Science/Art with a concentration in Painting. In addition to painting she has created ceramic works, stain-glass windows and three artists books "Hip Hop: Story of a Seagull", "Big Bernard and Lil Bernard" and "The Porcupine". She has participated in many exhibitions around Baltimore and Maryland including the "Heaven and Earth" exhibition in Station North and "Out Of Order" at Maryland Art Place.
I am a fiber and ceramic artist whose artwork is inspired by Byzantine and medieval art. I stitch hand embroidered images set in architecturally inspired frames of hand built ceramics and found objects. Along the way I have engaged in a number of related pursuits.
Lynn Rybicki was born in Chicago, Illinois and has lived in Baltimore for most of her life. She studied painting at the Maryland Institute College of Art and has been painting and showing her work for over 25 years.
Lynn has exhibited in the mid-Atlantic region and beyond. Her work is included in several private collections and in the Maryland Artist Collection of the University of Maryland University College in Adelphi, MD.
Trace Miller was born in western PA and now resides in Towson MD where he is a lecturer and assistant chair in the Department of Art + Design, Art History, Art Education at Towson University.
Miller received a BFA from Tyler School of Art in Philadelphia and an MFA from Maryland Institute College of Art in Baltimore. His work has been exhibited extensively in the Mid-Atlantic region and is currently represented by Goya Contemporary. www.goyacontemporary.com
I was born in Cuba and migrated to the US at a very young age. I started taking painting lessons at the age of 10 from a classically trained Cuban artiat. When I was an undergraduate I begain to reject my training, I saw it as old fashion and not relevant to what was happening in the art world. I even started to paint on the backs of my canvases or even breaking up the strestcher bars and binding them with the canvas and then applying paint.