Nuestras Raices Inc, is a community based Hispanic/Latino 501 C-3 cultural organization, founded by Angelo Solera in Baltimore City on February 19, 2019
Our mission
Contribute to the education, preservation and promotion of the richness and diversity of the Hispanic/Latino culture & artistic heritage throughout the Baltimore Metropolitan Region.
Our goals
To change the narrative & misconception about the Hispanic/Latino community by showcasing the richness and diversity of our culture & artistic heritage.
4Baltimore Office of Promotion & The Artshttps://www.promotionandarts.orgbopacommunications@gmail.com(410) 752-8632
10 E Baltimore St
Baltimore, MD 21202
United States
Lauren Carlo is a painter living and working in Baltimore City. She organizes the 100 Heads Society a free portrait painting resource for artists as well as teaches in the area. See her work at Laurencarlo.com
Libby Formant is a visual artist from Baltimore, MD working mainly with acrylic paint, pen, and ink. Since graduating from University of Maryland, College Park, Libby has both produced artwork as a professional artist as well as curated exhibitions in pop-up, gallery, and small museum settings. Her love of sci-fi/fantasy films and books, comics, nature and travel can be seen throughout her work.
Thiang Uk is a painter currently based in Baltimore, MD. Uk received his M.F.A. in the LeRoy E.
Hoffberger School of Painting at the Maryland Institute College of Art (MICA) and his B.F.A. at
Hunter College in NYC in 2017. Thiang participated in residency at Skowhegan Residency in
Maine in 2023. He had so far exhibited his works in Daytona and Orlando Florida, Virginia, D.C,
New York City, and Baltimore.
His painting practice is informed by his experiences as an immigrate with multiple cultural
influences, mythologies and the sensation of human conditions through the formal endeavor of
Camerata Baltimore was started on September 3rd, 2014 by the founder and artistic director, James Mayo III. Through the collaborative efforts of the founding members of the ensemble, their first performance was given at Catonsville Baptist Church in Catonsville, MD.
The official debut of the ensemble was given on December 5th, 2014. This program included Part the First of Handel’s Messiah – along with other familiar favorites of Christmas. Now, this is an annual event.
The Voxel is a privately owned black box theater in the heart of Baltimore city. It comprises a 2,200 square foot black box stage, a 1,900 square foot lobby, and 3,000 square feet of production and support spaces.
By day, The Voxel is the teaching center and research laboratory of Figure 53, a small but mighty Baltimore-based company whose software runs live performances in over 100 countries around the world.
By night, The Voxel is a theater, incubator, and resource for performing artists in Baltimore and across the country.
Wade Davis, cellist, is in high demand as a solo performer and chamber music collaborator. He regularly performs with the Washington Bach Consort, the Folger Consort, as a guest with the Smithsonian Chamber Music Society, and his own baroque ensemble, S’amusant, co-founded with Patrick Merrill, harpsichordist in 2013. Other appearances include Piccolo Spoleto Early Music Festival, Indianapolis Early Music Festival, The MOJA Festival, The Spire Series, and Bach Ascending.
Greg Hatem (b. 1987) is a Baltimore-based queer composer, producer, and performer. His solo practice combines acoustic and synthetic textures in short and largely instrumental art-pop compositions. As a multi-instrumentalist, Hatem records and performs with Baltimore bands Natural Velvet, Moth Broth, Curving Tooth, and Mole Suit Choir. When not musicking, Hatem owns and operates an curiosity shop in Hampden called Bazaar.
Come By Here is a vision for a permanent venue for our events, gallery space, and free art supplies library, that is accessible for Black, Trans/Non-Binary, physically disabled and low-income community members. Baltimore City residents will be able to submit requests for creative resources from our grant-funded inventory or visit the library in person. Long-term, we want to acquire a vehicle to transport participants to and from the site, as well as to offer them art-supply delivery services.