Welcome to the web presence of The Parker Studio of Structural Sculpture, a Baltimore-based fine art studio and atelier directed by P. Brad Parker.
4Baltimore Office of Promotion & The Artshttps://www.promotionandarts.orgbopacommunications@gmail.com(410) 752-8632
10 E Baltimore St
Baltimore, MD 21202
United States
Pamela Merrick is a self-taught artist born and raised in the inner city of Baltimore, MD with an affinity for bold color and a blend of realism and abstraction. Although she has doodled and sketched casually as a hobby since early childhood, it wasn't until 2010 that she tried her hand at painting and begin playing with the idea of building a career as an artist. Although Ms. Merrick chooses not to limit her work to any particular subject matter she enjoys using her art as a platform for subjects that celebrate and document love, light, faith, humanity, passion, diversity and positivity.
Ryan Foti lives and works in Baltimore, Maryland. He graduated with a Bachelor of Fine Arts from the Maryland Institute College of Art in 2008, and completed his Master of Arts in Teaching at MICA in 2009. Currently Ryan teaches digital and traditional art making at Mount Saint Joseph High School, a Xaverian Sponsored School located in Baltimore City, Maryland. Ryan has also worked with MICA's Young People's Studios as a faculty member for the past eleven years and more recently as Program (Area) Coordinator.
Eileen O'Donnell is a ceramic sculptor living in Baltimore, Maryland. She studied art and English literature at Saint Joseph's University (B.A. 1995) and received a B.F.A. in Three Dimensional Fine Art from Moore College of Art and Design in 2000. Eileen has always been fascinated with the art and mythology of ancient cultures. In her work she explores the intersection of nature, culture, religion, and the “other.” She has shown her work in solo and group exhibitions and juried shows. She has been a Louisiana ArtWorks NOLA artist in residence, and received a grant from Creative Capital.
While strongly believing that the key to social change is compassionate relationships that lead to genuine support, Shannon Finnell’s work attempts to embody that lesson through the exploration and deconstruction of supportive gestures and moments. Pulling from her BA in Studio Art and Peace Studies from Goucher College in Baltimore, MD, the marriage of visual art and questioning oppressive social structures is where Finnell finds inspiration for her work.
Jaimes Mayhew is an artist, organizer and educator, and received an MFA from UMBC in Baltimore in 2010. His artwork is often collaborative, interdisciplinary, and based in conceptual research of social and cultural phenomena. His work has been shown both nationally and internationally, including Eyebeam (NYC), Goucher College (Baltimore), and Hoffmannsgallerí (Reykjavík, Iceland).
Jann Rosen-Queralt is an artist, avid scuba diver and researcher whose interdisciplinary artwork integrates structures, biological processes, and ecological systems to trigger public action and awareness. Driven by a robust curiosity, her concepts reveal unseen – yet unifying – details and occurrences in nature. Some examples are: Percolare, a sculpture that feeds a rain garden, Raleigh, NC. and Confluence, a kinetic sculpture celebrating water cleansing at the Brightwater Wastewater Treatment facility in Seattle, WA.
Stephen Hendee (California, US 1968) is a sculptor best known for producing large-scale architecturally ambitious installations. Inspired by a digital culture, he is considered a pioneering figure in the low-poly aesthetic, conveying vectorized properties to physical objects and materials, creating real world simulations of virtual reality space. The constructed works often reference film and literary sources to reflect upon materiality within contemporary form.
Artist/Painter living and working Baltimore City.
There are some artists, like Ian Sims, that follow their inner drive without compromise. A native of Stephens City, VA and currently residing in Baltimore, MD, Ian began playing clarinet at age 11, picking up saxophone a year later. While music was clearly his passion, he could not deny his equal love for science. It was no great surprise when Ian decided to pursue studies in both music and engineering. While the two fields were not always perfect complements to each other, it did enhance his ability to produce captivating music through unique opportunities.