I am an award-winning multidisciplinary artist whose work spans painting, printmaking, fiber sculpture, and photography. My creative practice is deeply shaped by extensive travel across all seven continents and all fifty states. I observe and interpret the rhythms of the natural world - its shifting patterns, colors, and textures - and translate these impressions into my own visual language. The end result is artwork where memory, mood and emotion quietly converge.
Gallery representation is by Vault of Visions Gallery, Artspiration, Visitation Arts, Frederick, MD.
In her most recent work, Audra uses digitally manipulated photographs of the environment around her as the basis for her paintings. Her understanding of visual design concepts and color theory are evident in her work. By connecting photography, graphic design, and painting, Audra has found authenticity in her art practice.
Audra works out of Rockville, MD.
“Aligning my skills has shifted my relationship with my art, providing a level of fulfillment that was missing from my previous work and allowing me to enjoy the process of creating.”
CURRICULUM VITAE
JEROME HARRIS PARMET
Sculptor
11534 Highview Avenue
Silver Spring, MD 20902
TEL: 914-980-8013
E-M: [email protected]
www.sculpture.org/parmet
EXHIBITS, COMPETITIONS & INSTALLATIONS:
2018 Zenith Gallery, Traveling Full Circle, 40thAnniversary Exhibit, Washington, DC
2016 Intersections; 2016 Sculpture Now, Edith Wharton Estate, Lenox, MA
2016 Hell Gate Bridge, Memories & Horse, Of Course; Carriage Barn Gallery, New Canaan,
Laurel Lukaszewski is a Prince George’s County, Maryland-based artist who creates installations and sculptures primarily from clay. Her work is influenced by an appreciation of rhythms and patterns found in nature, and her study of Japanese art and culture over the past three decades.
Amber Eve Anderson is a multidisciplinary artist, writer, and administrator. She is currently a fellow at Hamiltonian Artists in Washington, DC and lives in Baltimore where she serves on the Advisory Board of the Institute of Contemporary Art. She has been an Arts Writer at BmoreArt and founded Ctrl+P, a publishing project dedicated to preserving ephemeral interventions in the digital realm.
As an artist, my body of artwork ranges from still life drawings lovingly saved by my mother, made when I was five years old, to my recent sculptures exhibited stateside and internationally. After earning a BFA from the University of Florida I went on to receive my MFA at the University of Miami, both with a focus on ceramics and sculpture. Upon graduation, I managed a fine art collection of over 4500 pieces for a Florida bank corporation.
Born in San Francisco and spending his adolescence in Seattle, Gard Jones earned a B.A., B.A.Ed., and a B.F.A. from Western Washington University, Bellingham, Washington.
Sarah Clough is a visual artist, writer, teacher, and curator who grew up in Oklahoma and Nebraska. Her work is about semiotics, the poetic, the physics of light, and the connections between them. She has received awards in screenwriting, journalism, and the visual arts. She has exhibited in Oklahoma, New Mexico, New York, Maryland, Virginia, and the United Kingdom. While a graduate student at the Maryland Institute College of Art, she was awarded a GradEX solo show and her paintings were also featured in the annual First Year Juried Show.
I was born and raised through my teenaged years, in New Orleans. It framed my vision of life. It was and continues to be a place of extremes: beauty and decay, religion and ritual, custom and iconoclasm. From that experience, I acquired an excitement for visual matters: colors, forms and even artifacts. Having lived on the border with Mexico for ten years changed my view of contemporary culture and our collective social responsibility. As a result, the expression of my imagery has become more topical.
Lisa Battle is an artist who creates a distinctive style of abstract sculptures by handbuilding with stoneware clay. She explores form and line in three-dimensional space, inspired by patterns created in nature through wind and water erosion, and the graceful arching movements of dance. As a viewer moves around the work, the lines advance and recede, giving an undulating sense of movement. The subtle surface treatments of her work are derived from atmospheric firing techniques, including wood firing in a multi-chambered Noborigama kiln and pit firing.