Wednesday Kim is a Korean-born interdisciplinary artist working across video, print, sculpture, installation, and digital ritual. Her work explores trauma, motherhood, and memory through the lens of digital hauntology—where forgotten search data, screenshots, and erased histories return as emotional residue. Drawing from Korean folklore and internet subculture, she reimagines the Dokkaebi as a glitch-born spirit emerging from data remnants and e-waste. Wednesday Kim is an interdisciplinary artist and co-founder of De:Formal Online.
V Walton is a Maryland-based interdisciplinary artist and educator. Walton creates sculpture, installation, and video work centered on Black embodiment and ecology. V draws from her own life: reflecting on the intersection of his identities, their chronic illness-disability, and queerness. Their work illustrates the societal and interpersonal dynamics that build and break us down simultaneously, making multi-layered connections between clay[terra], nature, and the body. They are part time faculty at Maryland Institute College of Art.
I've been a proud outsider artist since recording my first music at 10 and creating my first visual work at 16. I find that having multiple outlets allows for more free-flowing expression (no doubt an influence from Fluxus and Dada). I work in photography, mixed mediums, music, sound collage and poetry.
Pamela Thompson
Pamela Thompson is a Baltimore city based artist whose work explores war, land, memory, and intergenerational trauma through sculptural wall reliefs and earth-based materials. She received her B.F.A. from the Corcoran School of Art in Washington, DC, and her M.F.A. from the University of Maryland, College Park.
Sawtistic is a Baltimore County–based multidisciplinary artist working in wood sculpture, color, and narrative art. Known for hand-carved characters and interactive community installations, his work bridges fine art, storytelling, and public engagement—inviting viewers of all ages into imaginative, participatory worlds.
Mixed media artist Garnette Hines has been creating on Maryland’s Eastern Shore for over 20 years. A dedicated arts educator, passionate “art-cycler,” and unapologetic tree hugger, she finds inspiration in the natural world that surrounds her.
Her work bridges multiple traditional media—sculpture, painting, and printmaking—reflecting her deep love of nature in every piece.
Sanah Brown-Bowers is a multidisciplinary artist whose work spans realistic
portrait painting, sculpture, shadow boxes, installation, and immersive experiences.
Rooted in her Christian faith, her practice explores themes of legacy, spiritual
restoration, and Black joy. Through layered materials such as fabric, archival
imagery, wood, and found objects, she creates narrative-rich environments that
honor ancestry, community, and the divine presence in everyday life.
In 2024, Brown-Bowers earned her MFA in Multidisciplinary Art from the
Theophilus Thompson: An Elusive Kinetic Portrait
With over 1000 hand-formed aluminum tiles which spin and flicker, the pixelated portrait of Theophilus Thompson, an early African American chess expert, mathematician and teacher from Frederick, Maryland, shifts and changes in the wind, honoring him while acknowledging his obscure history. Created with Tsvetomir Naydenov. More of our public art projects are at www.margotwitht.com
Medium: mild steel, stainless steel, aluminum, glass, copper, enamel
Year: 2020
Details: 10’ x 14’ x 8’
Cadence (Wildfire Suns)
I made this work in response the Canadian wildfires of summer 2023, when smoke turned our skies hazy red for weeks. I washed soot out of my air filters, froze the dirty water into discs of ice, and filmed them melting on the floor of my studio. I paired this with footage of a cornfield near my home that is now being developed. I have passed it since childhood. The work holds what felt familiar and fragile at the same time, touched gently by cataclysms far away.
The video is projected onto the paper relics of the process of melting the ice discs, with the watermarks and soot circles on them.
The video is projected onto the paper relics of the process of melting the ice discs, with the watermarks and soot circles on them.
Medium: video, paper, soot
Year: 2024
Details: dimensions variable, 36 seconds