I have had an interdisciplinary studio practice for 35+ years with works that include assemblage - furniture or household items - public art & installations - painting & graphic design comingled with digital-photo techniques.
Concurrently I have worked as a production artisan or used applied visual presentation techniques to support my other vocational track.
Baltimore-based recycled metal sculptor specializing in highly detailed, layered works using copper, steel, brass, and stainless steel scrap. Sculptures can be made to most sizes including large pieces for lobbies or showrooms. Magnusmetalart.com for sample work.
not a town but a landing page
The New Castle and Frenchtown Railroad (NCFRR) was one of the first railroads in the United States. The railroad only operated for 28 years; as newer, more direct railways were built, the New Castle and Frenchtown Railroad was abandoned, and then without a commercial artery, the town of Frenchtown was also deserted. This obsolescence of the railroad and town is analogous to digital technological loss in its root in the movement of capital and technological change. In this project, I use the archive in conjunction with contemporary data to try and recreate a ghost without its community. In the process of this re-creation, I use techniques of glitch, loss, and layering to question the role of data, archives, and recreation in understanding place, loss and memory.
Medium: Projected video, mesh fabric, ethernet cords, yarn, wire, plexiglass, outlet plates, two-channel sound.
Year: 2025
Details: 132” x 119” x 203”.
datastream (Minebank Run)
In this ongoing project, I am interested in creating a portrait of a site (Minebank Run in Parkville, Maryland), and the ways in which we can know a space through data, and the many ways through which data-driven ways of knowing will fail us. There is a contemporary inclination to assume we can truly know things (ourselves, the natural environment, economic trends, image-making techniques) through machine learning or traditional mathematical algorithms. However, these data-driven models don’t accurately model out projections or create understanding, but instead create a compressed average of the data provided.
Medium: Multi channel video, digital sound, mylar, cyanotype, etched plexiglass
Year: 2024
Details: 12’ x 13’ installation
My work focuses on my concern with the damage humans are doing to the planet and where our culture is heading. I do acrylic paintings with collaged newspaper and maps on. I am doing a series of installations relating to plastic waste. The first was a 9x13 foot room at Artomatic DC, 2024, inspired by an installation I did in a Washington Project for the Arts show years ago. The second site specific installation was at the Crows Nest gallery in Baltimore MD, in 2025.