Eric Magnuson
Baltimore-based recycled metal sculptor specializing in highly detailed, layered works using copper, steel, brass, and stainless steel scrap. Sculptures can be made to most sizes including large pieces for lobbies or showrooms. Magnusmetalart.com for sample work.

not a town but a landing page

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The New Castle and Frenchtown Railroad (NCFRR) was one of the first railroads in the United States. The railroad only operated for 28 years; as newer, more direct railways were built, the New Castle and Frenchtown Railroad was abandoned, and then without a commercial artery, the town of Frenchtown was also deserted. This obsolescence of the railroad and town is analogous to digital technological loss in its root in the movement of capital and technological change. In this project, I use the archive in conjunction with contemporary data to try and recreate a ghost without its community. In the process of this re-creation, I use techniques of glitch, loss, and layering to question the role of data, archives, and recreation in understanding place, loss and memory.
Medium: Projected video, mesh fabric, ethernet cords, yarn, wire, plexiglass, outlet plates, two-channel sound.
Year: 2025
Details: 132” x 119” x 203”.

datastream (Minebank Run)

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In this ongoing project, I am interested in creating a portrait of a site (Minebank Run in Parkville, Maryland), and the ways in which we can know a space through data, and the many ways through which data-driven ways of knowing will fail us. There is a contemporary inclination to assume we can truly know things (ourselves, the natural environment, economic trends, image-making techniques) through machine learning or traditional mathematical algorithms. However, these data-driven models don’t accurately model out projections or create understanding, but instead create a compressed average of the data provided.
Medium: Multi channel video, digital sound, mylar, cyanotype, etched plexiglass
Year: 2024
Details: 12’ x 13’ installation
Cyd Muri
Cyd Muri [Mir-eye] (b.2001) was raised in Cape Coral, Florida now residing in Baltimore, Maryland. They received their BFA from Maryland Institute College of Art in Interdisciplinary Sculpture with a Drawing Minor in 2025. By combining various mediums, sound, and found objects; they are able to convey their inner dialogue. Their work has been exhibited in group shows across Florida and Maryland. Rooted in themes of loss and impermanence, their work carries an underlying sense of sadness.
Taina Litwak
My work focuses on my concern with the damage humans are doing to the planet and where our culture is heading.  I do acrylic paintings with collaged newspaper and maps on. I am doing a series of installations relating to plastic waste.  The first was a 9x13 foot room at Artomatic DC, 2024, inspired by an installation I did in a Washington Project for the Arts show years ago.  The second site specific installation was at the Crows Nest gallery in Baltimore MD, in 2025.
Celina Trikilis
Celina Trikilis attended Saint Mary’s College of Maryland, graduating with a Bachelor of Art in Art. She is a multidisciplinary artist most known for her eclectic artistry and design. She focuses the majority of her energy on dissecting the boundaries between surrealism and realism, towing the line between whimsical and horrifying. Celina is inspired by both the macabre and the cute, exploring the way both elements push and pull against each other when melded together.
Robbie Ierubino / NeuralMaker
I am Robert John “Robbie” Ierubino, Jr., a US-born, autistic artist who emigrated to Vienna, Austria, when I was 14. I hold a Bachelor of Arts (Honors) degree in Graphic Design and a Master of Arts in Arts and Creative Technologies, both from the University of Staffordshire in Stoke-on-Trent, England. I have completed a graphic design internship with the wendy.network and at the United Nations Office for Disarmament Affairs (UNODA) in Vienna, Austria. But in May 2024, I moved to Ocean City, Maryland, to find a job as a US citizen by reason.
Lisa Danaczko
Lisa R. Danaczko is a dynamic storyteller and engagement strategist. Her artistic practice examines creative placemaking with themes of belonging, collective memory, hidden connections, and respite in public spaces.
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