My artistic process is considered by many as postmodern. I choose a variety of materials and techniques often based on narrative association. I choose to put these materials together in collage. Using collage and multimedia techniques I capture visual memories. These can be brought to a viewer in the form of photography, drawing, painting, written word, as a collective of symbols. Most of my works incorporate imagery arranged to convey the narrative.
Leonard C. Wilson is a Baltimore photographer and new media artist who creates visual works that focus on visual variations, rhythms and patterns. From the very beginning of his explorations in the arts he explains: "I have always believed there are visual rhythms which are powerful enough to lead us to archetypal experiences that can reveal the deeper mysteries of where we are from (Origin), what we are (Identity) and where we could go (Evolution)".
His work can be viewed at:
https://chromosoul.com/
Art prints can be purchased at:
Full-time inspired by color, design, and nature, initiates expressions through photography and acrylic painting on a part-time basis.
After attending Salisbury State College concentrating in Art History and Photography, I lived in other Eastern seaboard states and the southern region of Ontario, Canada. I returned to family ties on the Eastern Shore and raised two children in Talbot County. A few years ago I settled in Dorchester County to continue to be "near the water".
A Maryland native, Vicki’s work is influenced by the varied and dynamic landscapes as well as the different seasons. Photography, digital painting, and illustration all find their way into her work.
A lifelong Maryland resident, Vicki is an artist, photographer, and designer. Using her art to reveal the beauty in everyday scenes, Vicki is captivated by the changing landscape. Her love of rural farm scenes as well as main streets, cityscapes, mountains, and seashores that make up the state, influence her choice of subject.
I grew up wanting to be an astronaut, watching the Apollo missions with rapt fascination. Looking at the world from a different angle as you would in space always intrigued me, that is, until my first algebra class. I learned that that math wasn’t my thing, and without the math, no engineering degree, no engineering degree, no space flight. So kicking around in Holland during my 8th-grade year (my father was in the Air Force), trying to figure out how I wouldn't be just another tool to society in my later life, I happened upon a person with a Canon camera with a very long lens attached. As
Conceptual and portrait photographer. She reveals the extraordinary in what she calls her ordinary life. Searching out those liminal moment, the drop that never falls, the people who never age, the bubble that never bursts.
Guevin's work exhibits throughout Maryland and has been published in both national and international magazines.
Tracy Lambros lives and works in Baltimore and from her studio on Hooper’s Island- Maryland. While she does not confine herself to one medium or genre, her current focus is oil painting with works that are intuition and process driven. They range from purely abstract to those that are often evocative of nature: land, sky, and sea. She earned an MFA (Painting) and a BFA (Photography) from Maryland Institute College of Art (MICA).
Amber Eve Anderson is a multidisciplinary artist, writer, and administrator. She is currently a fellow at Hamiltonian Artists in Washington, DC and lives in Baltimore where she serves on the Advisory Board of the Institute of Contemporary Art. She has been an Arts Writer at BmoreArt and founded Ctrl+P, a publishing project dedicated to preserving ephemeral interventions in the digital realm.
Adam Davies is an award-winning photographer whose large-format film photography explores architecture, social systems, and public spaces. Said David Tomkins, Writer/Editor of The Chinati Foundation, Marfa: ‘There’s an enigmatic quality to Davies’ images, and to the places they depict. The pictures bear a trace of something a bit uncanny, because the places they depict are quietly but insistently someplace else-or at least the threshold to someplace else . . . maybe a little magical, maybe a little cursed’.